The 2011 Stellar Award nominees were announced last Saturday. Noticeably absent (at least to me) was the Instrumental Gospel category. My friend, broadcaster/artist Tony Smith confirmed that the category was omitted due to a 'lack of entries'. In an ensuing Facebook conversation with several artists, it was noted that there always seem to be enough entries in years that one of the few 'accepted' artists in our genre releases a project.
Jazz/instrumental music is the stepchild of Gospel. The industry can’t seem to get the fact that there can be more than two gospel jazz artists on the scene at once. Not too long ago hip hop gospel was relegated to a similar status; it eventually became accepted by the industry. Call me a cynic, but I believe this acceptance has more to do with profit potential then the fact that our hip hop brothers and sisters are effectively witnessing to a generation.
How do we respond? We grumble amongst ourselves, and do nothing. Next year you’ll see the same artists nominated, that is, if there are enough ‘qualified entries’. A few action items are evident:
1. The jazz/instrumental gospel community must unite and organize (Ps. 133:1)
2. Artists must do more to advocate on their own behalf, like join industry organizations, and submit projects for promotion, airplay, tracking and recognition
3. Artists must support those who support us (terrestrial/Internet broadcasters, publications, churches, etc.)
4. Fans and supporters must galvanize and throw as much support as possible behind artists AND the genre as a whole
To be clear: we consider our art to be MINISTRY, uplifting the name of our Lord and Savior Jesus the Christ. As such, nothing we do will have any efficacy minus the unction of the Holy Spirit. That said, however, it should also be noted that, contrary to what some believe, the Holy Ghost is not a substitute for hard work. We believe there is tremendous potential for growth, reaching more souls with the divine healing, delivering power manifest in this music. We all want more opportunities to do what we do, and the opportunities are out there. But it’s time for us to get serious. Awards or no awards, recognition or no recognition, just think what could happen if the gospel jazz community; artists and supporters, moved together with intent, advancing the Kingdom, even as we advance this music.
I believe we stand at the threshold of a unique window of opportunity. I believe that the community of instrumental praise artists and the listeners who follow them are ready, even in the midst of a struggling economy and a music industry grappling with the effects of unprecedented change. What better time for God to show up and show out?
